Crowbar and Morbid Visionz originally teamed up for some US tour dates earlier this year, and they’re doing it again this November! Crowbar and Morbid Visionz will hit the road starting on November 5 at the White Oak Music Hall in Houston, TX before wrapping things up at the Southport Music Hall in New Orleans, LA on November 29.
Check out the full list of dates below and get your tickets here.
11/5 Houston, TX White Oak Music Hall
11/6 San Antonio, TX Paper Tiger
11/7 El Paso, TX Lowbrow Palace
11/8 Tucson, AZ The Rock
11/9 Las Vegas, NV Backstage Bar & Billiards
11/10 Yuma, AZ Tarros Chicali
11/12 San Diego, CA The Casbah
11/13 Anaheim, CA Chain Reaction
11/14 Sacramento, CA Harlow’s
11/15 Chico, CA Senator Theatre
11/16 Portland, OR Dante’s
11/17 Seattle, WA El Corazon
11/19 Salt Lake City, UT Urban Lounge
11/21 Colorado Springs, CO Black Sheep
11/22 Denver, CO HQ
11/23 Wichita, KS TempleLive
11/24 Little Rock, AR Revolution Music Room
11/25 Birmingham, AL Workplay
11/26 Atlanta, GA The EARL
11/27 Mobile, AL Soul Kitchen
11/29 New Orleans, LA Southport Music Hall
Crowbar frontman Kirk Windstein has been plenty busy outside the NOLA sludge band, largely with his upcoming solo album and the first new Down material in over a decade.
Down – the band featuring Windstein and fellow guitarist Pepper Keenan (Corrosion Of Conformity), vocalist Phil Anselmo (Pantera), bassist Patrick Bruders (Saint Vitus, ex-Crowbar), and drummer Jimmy Bower (Eyehategod) – has been hard at work on the follow-up to their 2014 EP Down IV – Part 2.
According to Windstein in a recent interview with Concrete Spew, new Down is starting to sound a lot like old Down – specifically their 1995 debut album NOLA.
“It just sounds like Down,” said Windstein. “I mean, it sounds refreshing because we haven’t done it in so long, gotten together with me and the guys and done it in — fuck — 12 years or something. So it sounds like Down, I think, to me, it sounds more old-school Down. And the reason I say that is I think we got to a point where… Like, the NOLA record is so simple, and it just wrote itself; it was so simple. And that’s how this is coming about, which is great.
“We’re not overthinking it. We’re not trying to make things too complex. Phillip‘s not trying to write so many lyrics and things. We just kind of got away — I hate to say ‘got away’, ’cause anything we do is Down, but, to me, we kind of got a little bit… We needed to go back and look at each other and just go, ‘Let’s just get in a room and do it like we did from the beginning.’ And that’s what it feels like to me. It’s very magical. The ideas and the working together, just bounce off of one another, it’s a natural thing.”
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