Top Pick
Judas Priest – Invincible Shield (heavy fucking metal)
You’d need an impenetrable defence in response to the assault brought by 2018’s Firepower, and Judas Priest have brought just that with Invincible Shield. Following the Rush-ified intro of “Panic Attack,”* the band immediately kick into high gear and hardly let up from there, delivering eleven tracks of unrelentingly anthemic and utterly ferocious heavy metal that proves that, even after (over!) half a century, they are once again at the top of their game.
It’s been said that the best defence is a good offence, and to that end Invincible Shield is consistently faster and more energetic than Firepower, even if it lacks real big hitters like “Never the Heroes” or “No Surrender”. “Panic Attack” and quasi-ballad “Crown of Horns” perhaps come closest, and will slot neatly into setlists for however long Judas Priest continue to preach the heavy metal gospel. Yet again, the secret ingredient is producer and touring guitarist Andy Sneap, who also contributes guitar parts this time, along with once again delivering one of the best -sounding records in the heavy metal history.** In particular, the 72-year-old Rob Halford (who I’ve seen struggle through a few live performances lately) sounds incredible here, perfectly delivering his trademark high screeches and mid-tempo turns of phrase with compelling conviction.
Invincible Shield is not entirely bulletproof. At fifty-three minutes long, the record is only five-minutes short of Firepower, even though it contains three-fewer tracks, and, unlike its predecessor, it doesn’t quite keep the momentum up all the way through. Although each is solid in isolation, the last three tracks feel comparatively tacked on. Epic-coded “Giants in the Sky” is also the one time on the otherwise up-tempo album that they bring back Firepower‘s distinctively Metallica-esque mid-paced stomp. This time, however, they also bring along that band’s modern penchant for unnecessary repetition, so that the record somewhat drags across the finish line, rather than blasting through it as prior proceedings suggested it might. It’d still be the best song on 72 Seasons (2023) by an absolute Jotun mile. Both “Escape from Reality” and “Sons of Thunder” might also have been off being replaced by utterly vital bonus track “Fight of Your Life” (not to be confused with proto-“Rock Hard, Ride Free” track “Fight for Your Life”), which blends a sleazy, Whitesnake strut with an “Eye of the Tiger”-esque motivational chorus. Drop that in there and tighten-up “Giants” a bit and Invincible Shield would truly fulfil the promise of its title.
Extremely minor gripes aside, Invincible Shield is another absolute triumph to add to the latter-day Priest cannon. While not quite as good as Firepower or the last Primal Fear album (let alone Iron Maiden‘s Brave New World (2001)), it’s right there with them and yet another testament to the fact that, whether or not Judas Priest are the first heavy metal band, they are undoubtedly the most heavy metal band, and arguably the best band to ever do it as well.
*Is there an actual song this sounds like, or is it just a mix of Rush’s “Tom Sawyer” and “New Millennium” by Dream Theater?
**Get. This. Guy. Working. With. Metallica. Now!
Honourable Mention
Doodseskader – Year Two (post-industrial prog-sludge, noise-rap/horrorcore)
Consider this one more of a “top pick as service” than a wholehearted recommendation. If we want to exclusively talk about things I actually enjoy listening to, then I’d be pointing you in the direction of that new Myrath album, but it’s Doodseskader‘s who’ve come up with the week’s most interesting offering. Year Two has been getting a rather rabid response behind the scenes here at Heavy Blog, and more publicly in our Discord channel), and for good reason. The band—who consist of Amenra bassist Tim De Gieter and drummer Sigfried Burroughs from a bunch of bands I (and I suspect you) have never heard of—genuinely defy genre categorisation, blending post and sludge metal with post-Code Orange-esque hardcore trappings with brutal, harrowing hip-hop that reminds me of clipping. at their darkest (and probably sounds like a bunch of other bands that I’m not cool enough to know about), which results in something ultimately reminiscent of Chat Pile, except if they were actually as interesting as everyone says they are.
Ironically, it’s Doodseskader (whose name translates to “death squad”) who are far more likely to induce a panic attack than the new Judas Priest album, and I’m just not in the right headspace for that at the moment/ever, but here’s no denying the quality and intrigue on offer here. Just go in knowing that you might not come out the same way you went in.